<span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">暑假的第一天，宝妈(</span><a target="_blank" href="https://baike.baidu./item/江美仪" style="color: rgb(19, 110, 194); text-decoration-line: none; font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; white-space: normal; background-color: rgb(255, 255, 255);">江美仪</a><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">饰) 被医生诊断患上严重肾衰竭，需尽快换肾。宝听说可以六万元在内地买肾，但对宝家而言，这已是天文数字。宝向旧邻居芸姐(</span><a target="_blank" href="https://baike.baidu./item/陈敏之/66289" style="color: rgb(19, 110, 194); text-decoration-line: none; font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; white-space: normal; background-color: rgb(255, 255, 255);">陈敏之</a><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">)求助，芸姐介绍她当“高级私钟妹」。 强既无力帮忙，唯有接受和支持…&nbsp;</span><br/><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">　　在管接管送的一星期后，强终按不住心中妒火，向宝发泄他的不满。 那夜之后，宝叫强不用再接送她，她决定独自上班。那边厢，强亦答应跟同学去露营。强返家后，强妈(</span><a target="_blank" href="https://baike.baidu./item/商天娥" style="color: rgb(19, 110, 194); text-decoration-line: none; font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; white-space: normal; background-color: rgb(255, 255, 255);">商天娥</a><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">饰)告知宝妈突然去世，宝跟妹妹已被亲戚带走</span></p>...

Jim Street(Colin Farrell 饰)是洛杉矶S.W.A.T(反恐特警组)的一员，在和搭档Brian Gamble（Jeremy Renner 饰）执行一次人质解救任务时，由于Brian的失误，人质向政府要求赔偿，Brian一怒之下离开警队，Jim也被 调到别的部门，二人之间的友谊就此结束了。 6个月之后，Jim靠自己不懈努力终于回到S.W.A.T。此时的S.W.A.T由Sgt. Dan &#39;Hondo&#39; Harrelson（Samuel L. Jackson 饰）担任指挥官，有五名队员，并打破了没有女人的规则，出现了S.W.A.T.的第一名女队员——一位单亲妈妈 Chris Sanchez(Michelle Rodriguez饰)。 在Harrelson的指导下，五名队员接受几个星期的严酷训练之后，Jim和队友开始执行首次任务：看管声明狼籍的大毒枭.Alex Montel (Olivier Martinez 饰)——一个经营贩毒，军火走私，洗黑钱等罪恶勾当的罪犯。 Alex Montel被洛杉矶警察逮捕后，仍然打算在引渡之前逃脱法网，他通过媒体许诺：任何能把他解救出来的人将可以得到1亿美元的巨额赏金。为了得到这笔钱，亡命徒们展开了行动，其中包括Jim的老搭档Brian Gamble，S.W.A.T的队员们面临最艰巨的挑战，而关键时刻，队员的变节和上级领导的不信任，几乎将他们逼入绝境。</p>...

While searching Las Vegas for the man who killed his famous father -- a wrestler known for his trademark tiger mask -- Chuji Kurenai (Bruce Locke) is drawn into an underground world where brutal fighters battle to the death. Promoter Bruce Rossner (Richard Lynch) keeps raising the stakes, finally forcing Chuji to fight three men at once. Barbara Niven, Stoney Jackson, Matthias Hues and Timothy Bottoms co-star in this martial arts-flavored action movie.@www.molikan.</p>...

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讲述问题少年威尔·霍金斯因触法而面临人生的十字路口，他必须选择要被关进少年观护所，或者参加基督教夏令营。被迫来到夏令营的威尔刚开始浑身不自在，但他渐渐敞开心房，与经常参加营队活动的女孩生出爱情，最后还意外找到了他自己渴望已久的归属感。...

A man returns home to Atlanta to help his brother's struggling restaurant....

前两部远在8、9年前，当时尚未与瑞斯·维瑟斯彭订下终身的雷恩·菲利普，贡献了正面全裸的帅哥出浴戏；而萨拉·米歇尔·盖拉也正因为参演该系列被封为“惊叫皇后”，才有缘出演了其后的《诱惑性游戏》和《咒怨美国版》。...

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<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">基于Bob Zellner的自传《The Wrong Side of Murder Creek: A White Southerner in the Freedom Movement》，Zellner出生于阿拉巴马州，是某个三K党成员的孙子，1961年，他被卷入民权运动的中心。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　提尔饰演Zellner，海尔饰演Zellner的大学女友Carol Ann，丹内利饰演Zellner的爷爷，福曼饰演Zellner的爸爸。</span></p>...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....