故事讲述2092年，胜利号飞船在太空中展开的冒险，金泰梨饰演胜利号船长，宋仲基饰演问题飞行员。</p>...

西奥·艾布拉姆斯是前开普敦消防员，患有严重的创伤后应激障碍。在一次失败的救援任务中，由于心理创伤，西奥无法重返工作岗位。一天早上，他醒来时发现妻子被谋杀的尸体旁边，不记得发生了什么，也不记得所有证据表明他杀死了她，西奥的世界变得越来越沮丧和动荡。当警方将他列为首要嫌疑人时，西奥开始逃跑，很快就被警察局副局长艾伦·沙德追捕。艾伦·沙德是一名臭名昭著的残忍的法律战士，他一心想在西奥正式退休前抓住他。然而，当一个不知名的第三方出现，西奥发现了追捕他的邪恶势力之间令人担忧的联系，试图以他无法理解的理由让他永久沉默；最近，他的妻子正在对一家全球武器承包商进行调查。当连接这些点成为生死攸关的问题时，西奥陷入了为生存而进行的绝望斗争，他必须在一场可怕的阴谋永远改变一个国家的进程之前找出到底是谁谋杀了他的妻子。...

飞行员吉斯、斯万和他们的伙伴们效力于银河星系联盟，他们分别驾驶黑、赤、青、黄、绿五头机器狮，五狮合体后能成为巨大机器人“百兽王”，用光芒神剑一次次击败魔王扎克的进攻，他们还来到阿拉斯星球，和阿劳拉公主一起，打击邪恶，捍卫正义...

飞行员吉斯、斯万和他们的伙伴们效力于银河星系联盟，他们分别驾驶黑、赤、青、黄、绿五头机器狮，五狮合体后能成为巨大机器人“百兽王”，用光芒神剑一次次击败魔王扎克的进攻，他们还来到阿拉斯星球，和阿劳拉公主一起，打击邪恶，捍卫正义...

飞行员吉斯、斯万和他们的伙伴们效力于银河星系联盟，他们分别驾驶黑、赤、青、黄、绿五头机器狮，五狮合体后能成为巨大机器人“百兽王”，用光芒神剑一次次击败魔王扎克的进攻，他们还来到阿拉斯星球，和阿劳拉公主一起，打击邪恶，捍卫正义...

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影片为黑色喜剧，男主为了向前妻证明自己的勇敢竟贸然抢劫了银行。警察开始调查犯罪案件却遗漏了这个看上去非常斯文又正派的幕后黑手。一场诙谐又紧张的猫鼠游戏正在上演。...

马特是一位有影响力的人，也是刚出生的朱利叶斯的年轻父母，他发现了他痴呆的父亲过去的一个黑暗秘密。 他开始深入调查，结果打开了潘多拉的秘密盒子，揭开了比预期更多的家庭剧。 Matt 的妻子 Liv 深感忧虑，并会尽其所能不失去他，但为时已晚..？...

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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....