找到约 451 条结果 "Chris Buck"
没有养老的资金
没有养老的资金
导演: 前田哲  
类型: 剧情

影片改编自垣谷美雨的同名小说,天海在片中饰演以节约为宗旨的主妇后藤笃子。丈夫公司倒闭、与婆婆一起生活的笃子,辛辛苦苦攒下养老的钱,却为婆婆的葬礼付了将近400万日元,生活陷入困境的她甚至不得不借用女儿结婚用的钱。...

深海潜龙
深海潜龙
导演: 安东尼·希科克斯  
类型: 动作

  体形硕大,但却动作敏捷的斯蒂芬·西格自从潜龙轰天赢得了千万观众的拥戴之后,很多他的作品都被译成某某潜龙。这次的深海潜龙是讲得什么故事呢?这次西格是个专门替美国政府干脏活的突击队长,因为执行任务时手段过于残忍被判重刑。正在服刑期间,美国政府发现在拉丁美洲一个小国的秘密基地内有人正在研制成功控制人类意识的催眠方法,而派去摧毁这一基地的特工大多有去无回。无奈之下政府启用西格以及他一同服刑的手下。任务很明确:摧毁基地,解救俘虏。西格和他的一班神勇将士,轻松地完成了任务。谁知,归途中噩梦开始了... ...</p>...

河岸杀手
河岸杀手
导演: Rich Cowan  
类型: 恐怖

影片讲述了凶杀案侦探Jack(雷·利奥塔Ray Liotta)在调查一系列谋杀案的过程中,不知不觉地成了主要嫌疑犯,FBI发现了他与所有受害人的联系......

戴高乐
戴高乐
类型: 剧情

1940年6月,巴黎,戴高乐夫妇面临法国的军事和政治上的崩溃,戴高乐选择奔赴伦敦继续抗战,而他的妻子伊冯则与三个孩子一起踏上远赴埃及之路。</p>...

海豹六队 第一季
海豹六队 第一季
类型: 欧美

<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">  于美国时间1月18日首播的《海豹六队 Six》,这部被预订8集的剧由奥斯卡提名兼前越南老兵William Broyles,与他的儿子David Broyles所执笔,背景为美国海军海豹突击队第六分队,剧集讲述他们在14年成功击杀一个在阿富汗的塔利班领导人后,却发现有美国公民与恐怖份子合作。这剧是根据现实发生过的任务改篇,每季的地点皆不同,首季定于非洲。地点是根据非洲现实的学生绑架案得到灵感。《国土安全 Homeland》的导演Lesli Linka Glatter将会执导该剧头两集。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">  Barry Sloane饰演John Graves,绰号Bear,海豹六队新任队长,希望能在家庭﹑部队﹑个人之间取得平衡。Kyle Schmid饰演机智﹑高效率,冷静的Alex Caulder,是个资深的海豹突击队成员,也是海豹六队的重要成员。即使出任务时有可能危及到他个人或家庭关系,但他仍然能把他们放在一边以专心于行动,就因为他对与自己出生入死的兄弟十分忠诚。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">  Juan Pablo Raba饰演Ricky Ortiz,绰号Buddha,是海豹六队的老鸟。Edwin Hodge将饰演Robert Chase,是个受训中的海豹突击队员,目前被考虑代替Ricky Ortiz的位置。他能快速完成挑战,但会犯一些新手的错误。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">  《盾牌 The Shield》及《火线警探 Justified》的主演Walton Goggins饰演Richard “Rip” Taggart,一个粗暴﹑憔悴﹑气势汹汹的军人,曾经是海豹六队的队长,他在任务中作出一个令人质疑的决定。在离职两年后,他在非洲工作,负责保护一个免被恐怖组织博科圣地(Boko Haram)侵袭的小村,并因此在面对他们袭击时被俘虏。海豹六队得摒弃自己的意见,拯救他们的前队长。此角色本来由Joe Manganiello饰演。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">  Nadine Velazquez饰演Jackie,是个坚强的军嫂,他的丈夫Ricky Ortiz正考虑在海豹六队退役,但被征召完成最后一个任务。Brianne Davis饰演Lena Graves,John Graves的妻子,是个辛勤工作的老师。Christopher Backus饰演Sean,是个在非洲拍摄当地情况的记者。Dominic Adams饰演本剧的反派Michael。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">  另外Jaylen Moore饰演绰号Fishbait的Armin Khan、Donny Boaz饰演绰号Buck的Beauregard Buckley,以及Nondumiso Tembe饰演Na&#39;omi。</span></p>...

博斯 第六季
博斯 第六季
类型: 欧美

When domestic terrorists threaten the fate of Los Angeles, Harry Bosch must save the city in the highest stakes season to date. Watch all episodes April 17!...

大灌丛
大灌丛
导演: 艾略特·莱斯特  
类型: 剧情

小恶魔&quot;彼特·丁拉基将出演一部动作惊悚片《The Thicket》,并在其中饰演一位身手不凡同时狡猾无比的赏金猎人。《七宗罪》和《斯巴达三百勇士》的制片吉安尼·努纳利将负责此片制片工作。影片改编自乔·兰斯代尔的小说,故事背景设置在20世纪初,一位年轻的小伙子为了解救被暴力杀人狂所绑架的妹妹而四处奔走,最后找到一位名叫“Shorty”的狡猾赏金猎人,一名盗墓为生的酒鬼和一个深谙处世之道的妓女来帮助他寻找妹妹。彼特·丁拉基将饰演那位赏金猎人,对此吉安尼·努纳利表示:“丁拉基天才般的演技能把乔原著中的阴暗视角还原得非常生动,他来饰演Shorty这一角色,是圆了我的梦!”...

镜子的另一面:纽波特民歌艺术节1963~1965
镜子的另一面:纽波特民歌艺术节1963~1965
导演: Murray Lerner  
主演: Bob Dylan  Joan Baez  Judy Collins  
类型: 剧情

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....