Beautifully woven, complex and subtle, this film captures an essence of NYC after 9/11. A great script, some stunning photography, an excellent score that helps tie it all together, and a great ensemble cast make this small film seem quite large. The emotions that bubble under the surface, only sometimes breaking through, give this film its strength and its power. Different sto... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> Beautifully woven, complex and subtle, this film captures an essence of NYC after 9/11. A great script, some stunning photography, an excellent score that helps tie it all together, and a great ensemble cast make this small film seem quite large. The emotions that bubble under the surface, only sometimes breaking through, give this film its strength and its power. Different stories of different people all struggling with day to day life sharing the common experience of being New Yorkers post 9/11. The references to what happened are almost all unspoken, evoked through the images displayed or the background sounds, yet there is no doubt that what happened is a force in the lives of all of these people. Intelligent film-making at its best....
Zwei Tage nach ihrer Geburtstagsparty verschwindet Thomas Altmanns Frau Anja. Thomas meldet sie als vermisst. Schnell steht er selbst unter Mordverdacht, da es belastende Spuren zu geben scheint.Thomas' Anwältin Lavinia Bertok zerschlägt aber die Argumente der Kriminalbeamten, die wenig in der Hand haben. Lavinia, eine attraktive Frau, ist berühmt dafür, jeden Prozess zu gewinnen. Sie war vor 20 Jahren mit Thomas und Anja sehr eng befreundet.Obwohl sie an seine Unschuld glaubt, kann sie nicht verhindern, dass Thomas verhaftet wird. Anjas und Thomas 15-jähriger Sohn Anton wird von Anjas Vater aufgenommen, der schwere Vorwürfe gegen Thomas erhebt: Er habe Anja getötet, sie habe immer Angst vor ihm gehabt. Er nutzt all seine Kontakte, um Thomas zu schaden und eine Entlassung aus der U-Haft zu verhindern.Thomas wiederum beschuldigt den Vater, Anja missbraucht und als sein Eigentum betrachtet zu haben. Während des Prozesses tauchen Hinweise auf, dass Anja lebt und in Spanien gesehen wurde. Immer noch gibt es keine Leiche, keine Beweise, nur zunehmende Ungewissheit und immer neue, widersprüchliche Indizien. Auch kommt der spekulative Gedanke auf, dass Anja und Lavinia den gemeinsamen Plan verfolgt haben, Thomas ins Gefängnis zu bringen. Kurz vor der Verhandlung und Lavinias Schlussplädoyer stellt ihr Thomas eine Frage, die alle vermeintlichen Sicherheiten ins Wanken bringt.24.10.2016/ZDF</p>...
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....
The "Sixth Bus" is a film about a young woman trying to find out how her father disappeared never to be found, during a war in Croatia that stunned Europe and the world. It m.77mi.cc is about a search for identity; simmering beneath this need for resolution. The "Sixth Bus" is a search for truth in a place where truth is selective, elusive and even feared....
An ex-military doctor finds herself in a deadly battle for survival when the Irish mafia seize control of the hospital at which she works. When her son is taken hostage, she is forced to rely upon her battle-hardened past and lethal skills after realizing there's no one left to save the day but her....
Inspired by true events, the Barracuda Queens are a group of disaffected teenage girls who, bored of their privileged lives in the affluent Stockholm suburb of Djursholm, become involved in an escalating campaign of house burglaries targeting their naive rich neighbors. By day they are high achieving students and daughters but by night, they are ruthless thieves....
In this animated movie, escapees from a galactic nuthouse need to spend a penny and arrive on Earth. They think it's the perfect planet to conquer but they didn't reckon on Dante, a kid who works out how to use one of their devices and turn everything he comes into contact with into living objects.@<a href="https://www.douban.com/link2/?url=http%3A%2F%2Fwww.molikan.com&link2key=1b6cf41e50" target="_blank" rel="nofollow">www.molikan.com</a>...
In order to save his kidnapped daughter, an ex-Marine is forced to take on a gang of killers when an accident leaves the brother of a malicious criminal dead....
“Diary of a Wimpy Kid: Rodrick Rules,” is an all-new animated movie based on the second book in Jeff Kinney’s wildly popular book series. The original song from the film, “Can You Smell Us Now,” written and produced by Jon Levine, with lyrics by Jeff Kinney, and performed by Jimmy Tatro, is also available. Be sure to check everything out, and don’t forget to watch “Diary of a W... “Diary of a Wimpy Kid: Rodrick Rules,” is an all-new animated movie based on the second book in Jeff Kinney’s wildly popular book series. The original song from the film, “Can You Smell Us Now,” written and produced by Jon Levine, with lyrics by Jeff Kinney, and performed by Jimmy Tatro, is also available. Be sure to check everything out, and don’t forget to watch “Diary of a Wimpy Kid: Rodrick Rules” on December 2, 2022, when it premieres on Disney+....