"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">该片又名《亚当复活》，根据1969年以色列著名畅销小说家尤拉里·卡纽克(Yoram Kaniuk)的作品改编，讲述了德裔以色列小丑演员亚当·斯坦的故事，他被迫在纳粹集中营内为在押犯们表演取乐，最后得以逃过生死劫只是因为能够为进入毒气室的囚犯们拉拉小提琴曲。杰夫·古德布鲁姆(Jeff Goldblum)在片中饰演亚当，威廉·达福则出演集中营指挥官，此人将亚当象条狗一样尽尽羞辱之能事。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　幕后制作</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　这是德国和以色列电影届的首次合作，出演亚当的杰夫·高布伦表示：“这是他所扮演的最难的一个角色。”该片导演保罗·施拉德曾以担任《出租车司机》的编剧而名声大噪，制片商则是以色列的埃胡德·布雷伯格(Ehud Bleiberg)公司和德国的维尔纳·维尔辛(Werner Wirsing)公司，这部主题悲惨的影片堪与罗伯托·贝尼尼的奥斯卡获奖电影——黑色喜剧片《美丽人生》相媲美。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　一名德国评论家撰文称，《苏醒的亚当》“会在两种风格中艰难取得平衡”——因为如果风格过于活泼幽默，就有嘲笑大屠杀幸存者之嫌；如果风格拍得过于严肃沉闷，又不能完全反映原著中的人物个性。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　出演该片的还有德国顶尖演员莫里兹·布雷布特鲁(Moritz Bleibtreu)和维罗尼卡·费里斯(Veronica Ferres)，以及以色列演员阿耶莱特·祖里尔(Ayelet Zurer)，后者曾出演过斯蒂芬·斯皮尔伯格的《慕尼黑》。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　《苏醒的亚当》一片中大多数场景取自位于以色列内盖夫沙漠中的大屠杀幸存者收容所，斯坦在拼命寻找最后一名家族幸存者，后被送来这里治疗他所谓的“神经失常”。为了更好地诠释角色，杰夫·高布伦数度造访以色列，并以大屠杀幸存者们进行沟通交流，他还前往柏林体验生活，并专门恶补小提琴课以便更好地展示片中人物的个性。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　原著小说当年在以色列出版时，销量一败涂地，作者、现年77岁的卡纽克解释说：“因为那个时候没有以色列人再愿意听关于受害者的故事了。”影片投资700万英镑，在海法、特拉维夫、罗马尼亚和德国的一些地方取景拍摄。</span></p>...

巴黎一连发生多起血腥暴力事件，一时间整座城市陷入了极度恐慌之中。巴黎警界两大部门BRI和OCU公开角力，势要将连番犯案的悍匪绳之于法。然而两支队伍的办事风格迥然各异，空缺的36总局局长位置也成了他们残酷竞争的导火索。BRI的首席警官莱奥（丹尼尔·奥特尤尔 Daniel Auteuil 饰）不惜帮线人隐瞒杀人犯罪的事实来获取情报，而OCU的首席警官丹尼斯（杰拉尔·德帕迪约 Gérard Depardieu 饰）更为了能亲手抓住劫匪以谋求权位而不择手段，伺机寻找机会整垮莱奥。终于，丹尼斯将莱奥告发，莱奥被判处8年监禁，妻子也因此丧命。失衡的道德线，罪恶背后的真相，刑满出狱的莱奥决定向丹尼斯展开不顾一切的复仇。...

<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　新一季的CSI将不再使用《Who are you》作为主题曲，制片人在考虑是否把主题曲换为Clash的《我是走还是留》。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　上一季的最后一集里，Sara Sidle（Joria Fox饰）被一个连环杀手设计困在了内华达沙漠中的一辆车下，倾盆大雨很快会把她给淹死，而此时Gil Grissom（William Petersen饰），她男友兼老板，还有其他办案人员正全力营救她。Sara能否闯过这一关，一是要看那辆车的状况，还一个就是要看Fox电视台能否跟这位CBS当红演员续约。Sara到底会留下来吗？</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　制片总监Naren Shankar 没有透露消息。他说，观众一定会对结果满意，在新的一集里，一切都会在最后时刻真相大白。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　有关Sara命运的流言在整个夏天到处蔓延，有官方消息透露，在新一季的第三集会出现一个新的女性角色，制片主任Carol Mendelsohn说，这个新角色可能是现场调查人员或是技术分析人员。但同样也不肯透露Sara的命运终究如何。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　Shanka在谈到9月27号新一季的的开机仪式的时候说，观众可以在这一集里发现真相。在上一季的最后一集里，杀手给Grissom留下了一个微缩的犯罪现场。第八季的第一集里，布景师在好莱坞的摄影棚里建好了一个跟原物一样大小的模型，包括用液压提起的汽车和28,000加仑的水。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　Shankar多次表示他对Fox电视台是否能够接受这种拍摄手法表示怀疑。作为拍摄的重要一环，Sara被困在车下，周围都是循环流动的水。 Shankar说他有点紧张，虽然Joria是个经验老道的演员，拍摄的安全系数也几乎是百分之百，但是当你看到这种场景的时候，肚子里禁不住还是打了个结。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　这也许有点使人胆战心惊，但是拍摄的时候，一些其他并不要在这个场景出演的剧组成员也来到现场观看。“他们对我们的布景感到很惊讶，”Shankar说。“他们看到拍摄现场时，都被这些东西震撼了。”感觉自己深陷其中一样。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　精彩剧情，尽在金秋9月。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　CSI is an innovative, new type of crime drama because the characters use cutting-edge forensic tools to examine the evidence to solve the case. Rather than a &#39;whodunnit&#39; cop show (investigating witnesses/suspects), CSI explores the &#39;howdunnit&#39;. CSI has been the number one scripted series in the Neilsen ratings for four years running. CSI is now heading into it&#39;s seventh, and sure to be amazing season</span></p>...

影片改编自弗朗西斯·勒洛尔的同名畅销读物。西蒙·佩吉在片中饰演的赫克托是一位心理医生，常年做病人的情绪垃圾桶，有时他也怀疑——快乐、幸福这玩意儿到底是不是真的存在？于是，他决定出门找找幸福，也找找自己的生命意义。...

Sabrina（Julia Ormond 朱莉娅·奥蒙德饰）是赖瑞毕家司机的女儿，从小她就暗恋二少爷David（Greg Kinnear 格雷格·金内尔饰）。外界对二少爷的评价可远远不及他的大哥Linus（Harrison Ford 哈里森·福特饰），人们赞许大少爷睿智冷静，富有商业头脑。二少爷不过是个游手好闲，只知道泡妞的花花公子罢了。...

本片根据汤姆·克兰西畅销名著改编。...

《神探夏洛克》第四季将于2017年元旦回归BBC1，本季依旧为三集，标题分别为：...

本剧基于记者Justin Fenton的同名书籍创作，《火线》制片人David Simon和George Pelecanos共同打造。...

时间是1979年，美国俄亥俄州一个平凡小镇。少年乔·兰布（乔尔·科特尼 Joel Courtney 饰）痛失母亲，生死悲痛让他久久地沉默。数月后，他应好朋友查尔斯（雷利·格里芬斯 Riley Griffiths 饰）的邀请，决定约上几个朋友一起用超8摄像机（8 mm）拍摄一部恐怖电影。当然令他下定决心的，是那个令她心仪的美丽女孩爱丽丝（艾丽·范宁 Elle Fanning 饰）也参与其中。在某个夜晚，爱丽丝驾驶父亲的汽车载着伙伴们来到火车站拍戏，谁知却目睹了一场极其惨烈的火车事故。...