<p><span class="">1910年，有“音乐暴君”之称的马勒，发现心爱的太太红杏出墙，第三者竟然是Bauhaus创办人兼建筑师Walter Gropius。受尽情变折磨的马勒，远走荷兰找来正在度假的弗洛伊德尽诉心声。起初不愿意接受心理治疗的马勒，无奈坐上弗洛伊德的病人床，回忆起跟年轻19岁的太太Aima的相遇情形：两人火速热恋，互相欣赏。但婚后的马勒，却严禁太太追逐她的作曲梦。女儿逝世过后，二人的婚姻开始触礁，促成太太的出轨行为。与弗洛伊德的一席话，令马勒自信找到了挽救婚姻的方法。马勒逝世100年几年电影，揭开一代古典传奇音乐家的爱情故事。</span></p><p><span class=""><br/></span></p><p><br/></p>...

Ruth Paxton’s women-led horror sees a mother tested when her daughter insists that her body is no longer her own, but in service to a higher power....

二次大战前夕，英国军官桑迪克（Walter Pidgeon 饰）潜伏希特勒的山中庄园行刺未果被捕，由于拒不承认自己受英国政府指使，桑迪克受尽折磨后被德军推下山崖。大难不死的桑迪克乘船回到英国，同时德国方面派出假扮桑迪克的军官与众眼线在全城追索他，德国政府亦向英国施压。 桑迪克在险象环生的亡命途中结识开朗直接的姑娘杰瑞（Joan Bennett 饰），后者被他吸引，并竭尽所能为他提供了帮助。桑迪克与杰瑞度过了一段短暂的纯真时光，然而危机四伏的情势下他并不能给予对方更多的幸福。德国人很快找到了桑迪克的藏身之处，并掳走了杰瑞，这让桑迪克面临的形势恶劣到了极点。</p>...

<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　本剧根据真实故事改编，是一部快节奏的、惊险刺激的悬疑剧集。该剧由黄金编剧组合Alex Kurtzman、Bob Orci联合Nick Santora、Justin Lin开发，Justin Lin担任导演。故事描述高深莫测的计算机专家Walter O’Brien（Elyes Gabel）和一群同样具备天才头脑的国际计算机黑客共同组建全球防御网络，抵抗复杂的现代高科技威胁。主人公的原型为代号「蝎子」（即剧名）的超级黑客Walter O’Brien。他童年时代起就依靠黑客技术成名，后来成为蝎子计算机服务公司（ScorpionComputerServices.com）的首席执行官，为全球各地的客户提供信息服务和智库咨询。据称他是人类有史以来智商最高的人之一（15亿人当中才有1个）——爱因斯坦的智商（IQ）只有165，但他高达197（CBS新闻发布稿中的原话）。他相当于现实生活中的X博士（《X战警》）——他招募并训练来自世界各地的天才，统一指挥他们为挽救生命和解决难题而战。他们所面临的问题既包括赌场保安这种小问题，也包括无人战机发动攻击这种关乎国与国关系的大问题。Walter的个人生活情况及「这个团队学会在危机中团结合作」也是该剧的剧情重点。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　在本剧中，O’Brien应邀成为美国国家安全局的新智库，组建起一个「蝎子」团队来应对现代社会复杂的高科技威胁。他招募了一群在社会上不合群但是极其聪明的天才来帮助自己：Toby Curtis（Eddie Kaye Thomas）是一个行为学专家，能够轻易看透任何人的内心世界。Happy Quinn（Jadyn Wong）是一个机械专家，能够组装任何东西，而且同时具有外科手术般的精确度和魔术师般的非凡速度。Sylvester Dodd（Ari Stidham）是一个统计学大师，但时不时地会出现强迫症。联邦探员Cabe Gallo（Robert Patrick）负责召集「蝎子」团队并利用他们广泛的科技知识来解决令人挠头的危机。Gallo之所以对这个团队感兴趣是因为他曾和O’Brien打过交道，只不过……那不是一段值得他们回忆的历史。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　这个缺乏社交经验的团队能在彼此身上找到安慰。可一旦离开这个小圈子，他们的幽默感不再，而他们古怪的性格会给他们带来无尽的烦恼，他们唯有依靠年轻的餐馆服务员Paige Dineen（Katharine McPhee）来与外界进行沟通。Paige只是个普通女人，但她有个高智商的儿子，因此她十分理解天才们的内心世界。她在某种程度上相当于Walter和他的超级团队的「保姆」兼「翻译者」——如果没有Paige，这些绝顶聪明的「高智商者」不仅连自己都照顾不好，还很容易被外人误解。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　这些聪明绝顶的书呆子最终接受了Cabe Gallo提供的工作机会，这对他们来说是一份完美的工作：他们可以将自己的超凡智慧用于正道——用于解决国家危机。与此同时，他们可以通过这份工作帮助彼此更好地融入现代社会。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　Ernie Hudson扮演洛杉矶国际机场空中交通管制负责人Brooks。他知道如何读取计算机屏幕上的信息并熟练地帮助繁忙的机场理顺各条航线，但他对计算机系统具体如何运作一窍不通。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　在首集中，洛杉矶国际机场发生一场危机，数十架航班无法着陆，美国政府决定召集O’Brien和他的团队出面解决这个问题。这是他们第一次在「实战」中大显身手！与此同时，O’Brien第一次见到Paige和她的儿子。</span></p>...

影片故事，大致讲述两名追踪“失踪飞船”的太空猎人，当他们终于找到飞船后，却目睹了一系列离奇的现象：一名年轻女子的幽灵从她的尸体中走出，而这架飞船也仿佛拥有了自己的灵魂.........

暂无简介...

纪录片系列超越了伯明翰伊丽莎白女王医院的剧院大门，外科医生将医学界推向了极限。...

约亨沃尔特是德国银行的一名资深投资银行家，与其助手汤姆·斯莱扎克刚刚完成一笔大单。庆功会上约亨却突然跳楼自杀。全球范围内有多起银行家自杀的案例的情况下，外界纷纷猜测约亨的自杀原因，甚至有人怀疑是他杀。约亨的妻子对银行推卸责任的说法很不满，称约亨自杀前留下一封遗书，其中有涉及约亨真实死亡原因的银行保单。汤姆对其突然死亡也表示怀疑，天台拍摄到跳楼过程的摄像头也被移走。到底是自杀还是谋杀。...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

人不能选择自己的家庭——苦于对父亲的不满，康拉德（Florian David Fit饰）把每年拜访父母的时间压缩到最少。他的父亲卡尔（Henry Hübchen饰）是个乖戾的老顽固，从来都不给儿子或者儿媳塔玛拉（Thekla Reuten饰）一点儿好脸色。而康拉德的儿子约纳斯（Marius Haas饰）则把去爷爷奶奶家这件事看得很实际——他有多乖巧全部取决于老爸付了多少钱。今年，康拉德的母亲海伦娜（Leslie Malton饰）在生日茶会上宣布的新消息却让人大吃一惊：她离开了相处40年的老伴儿。她还请康拉德帮一个忙：回到从前的家送点儿东西。然而，一切却出乎意料：卡尔不仅成天以大罐大罐的啤酒度日，还在无尽的自我怜悯中不可自拔。当卡尔不慎掉进空泳池受伤之后，康拉德不得不带着约纳斯一起暂住进了自己当年的房间。三代人同住一个屋檐下：这会是噩梦还是全新的开始？......