<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">第四季开始，艾美奖得主Uzo Aduba饰演新主角，治疗专家Brooke Taylor医生。她将在诊疗中面对多元化的三位病人，与此同时也在与自己的问题作斗争。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">Joel Kinnaman将饰演Adam。他是主角医生Brooke时分时合的男友，现在再次出现，让Brooke的生活变得更加复杂。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">Anthony Ramos饰演Eladio，病人之一。他是一个有钱人家里成年儿子的家庭护理。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">Liza Colón-Zayas饰演Rita。她是Brooke结交已久的知心朋友，给了Brooke很多支持。但Rita在经历了一场改变人生的损失后，也在抗争着自己的心魔。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">John Benjamin Hickey饰演Colin。原本是魅力十足的富豪，后来成了一名白领罪犯，最近刚出狱的他需要面对自己生活中方方面面的变化。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">Quintessa Swindell饰演Laila。Brooke的客户之一，多疑又叛逆的一名青少年，竭力想要在家人的殷切期盼中找到属于自己的身份。</span></p>...

托尼奖获奖百老汇音乐剧《来自远方》(Come from Away)将被改编成电影，The Mark Gordon Company投资制片，原作者、词曲家Irene Sankoff和David Hein将编写剧本，剧版导演克里斯托弗·阿什利也确定执导影片。设定在9·11事件之后，38架飞机意外迫降加拿大纽芬兰与拉布拉多省的小镇Gander，7000名旅客滞留。在被迫停飞的处境下，小镇的居民热情地欢迎并接纳了所有旅客，他们的慷慨善良与恐怖袭击形成了鲜明的对比。文化相互碰撞，人们情绪高涨，不安感转变为信任，音乐响彻深夜，感激最终形成了长久的友谊。...

暂无简介...

&quot;Daughters of the Dust&quot; tells the story of a family of African-Americans who have lived for many years on a Southern offshore island, and of how they come together one day in 1902 to celebrate their ancestors before some of them leave for the North. The film is narrated by an unborn child, and ancestors already dead also seem to be as present as the living....

It's a jolly mess when two young brides get lost from a train. Set in 2001, somewhere in rural India....

<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">毫无征兆的一天，一架军用运输机坠毁在英国伦敦市中心的海德公园附近。这起事故在伦敦引起不小的混乱，而谁也没想到它所装载的最高军事机密将给当地人造成怎样的危害。城市的另一端，人们似乎并不太关心这起事故的前因后果，愤怒的查理（Noel Clarke 饰）和好友马克（科林·奥多霍诺 Colin O&#39;Donoghue 饰）正驱车前往24号仓库寻找女友雪莉（Antonia Campbell-Hughes 饰），此前查理和雪莉不欢而散，情感陷入僵局。当他们面对面争吵理论之际，仓库内的电力突然中断，所有人都被困在这座黑暗的承包之中。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">更令他们不敢相信的是，某种神秘而恐怖的生物盘桓期间，时刻准备夺取这些人的性命…</span></p>...

马丁（梅尔·吉布森 Mel Gibson 饰）和罗杰（丹尼·格洛弗 Danny Glover 饰）是相识多年的老友兼同事，两人都是警察。一次在与共同的好友盖茨（乔·佩西 Joe Pesci 饰）相约出海的途中，三人偶遇了一艘非法偷渡的船只。身为警察的马丁自知绝不能对此坐视不管，于是展开了与黑道分子的激烈斗争。 在这批偷渡客中，有一位名为阿洪（高雄 饰）的男子，善良的罗杰收留了他和他无处可去的家人，没想到正是这一举动激怒了危险的黑帮教头王（李连杰 饰），为了从罗杰的手里将洪抢走，王不惜干下了许多伤天害理的勾当。在阿洪的身上究竟隐藏了怎样的秘密？王千方百计的想要得到阿洪又究竟是为了什么？</p>...

一个巨大的陨石进入地球轨道并开始逐渐瓦解，它的碎片像淋浴一样洒向地球。...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

當一位精神科醫生研究年輕女孩莫莉的日記，找出她謀殺整個家庭的原因時，他也開始陷入失眠和混亂的狀態，這也是導致她失去理智的原因，一連串不可思議的事件接連發生…...