内详...

曾是美国隐形特工绰号“闪光人”的杰克（史蒂文•席格 Steven Seagal 饰）退役后在纽约当了一名普通的刑警，这次他遇到了退役后的最大一个挑战。洛山矶出现了一个神出鬼没、手法残忍的连环杀人狂，当地警察费尽心机都没能找到罪犯的蛛丝马迹，使得当地人心惶惶，于是警局局长想到了杰克。 杰克身负重任来到了洛山矶，在这里和他拍档的是经验老到的警探金（基伦•埃弗瑞•韦恩斯 Keenen Ivory Wayans 饰）。两人因作风和手法的不一致而产生了许多矛盾，但为了尽早完成认为，两人都只能忍气吞声迁就对方。杰克和金共同布下了天罗地网，不料却被狡猾的凶手逃脱了。与此同时，新的受害者竟然是杰克的前妻和她丈夫，而现场证据竟然显示杰克就是凶手！...

这部由HBO自制的电影是「汉堡高地」导演约翰艾文的又一战争写实影片，背景设在第二次世界大战，血腥的贺根森林之役。在整排的袍泽被敌人歼灭后，唯一幸存的二等兵大卫曼宁（朗爱德 饰，「彗星撞地球」、「豪情四兄弟」）被升为士官，由于承受不了带领新兵的压力，曼宁以精神不适任的理由申请退役，然而曼宁的指挥官（马丁唐纳文 饰，「她和他和他们之间」）却向他提出条件只要带兵攻下一座德军的哨站，他就将曼宁的退役申请呈报上去。但在残酷无情的战争中，重要的并非胜利，而是如何自战场上生还。当提起第二次世界大战的史诗电影时，「拯救雷恩大兵」及「红色警戒」或许已抢尽锋芒，但该片绝对是一部不容错过且毫不逊色的最佳战争写实电影</p>...

在美国某个偏远的小村小镇，花季少女布鲁克（玛格丽特·桑德伯格 Marguerite Sundberg 饰）和青年警官麦克斯·布罗迪（麦克·弗洛尔斯 Michael Flores 饰）幽会，她拒绝了对方交往的请求，兀自返回家中。与此同时，军方不久前刚刚发射导弹试图摧毁一枚人造卫星，谁知导弹偏离方向，部分碎片坠落小镇南边山上。当地人并未将这起事故放在心上，照常吃喝玩乐，可是到了夜晚，有如行尸走肉一般的怪物开始逡巡小镇街头，残害无辜。麦克斯和他的同事在验尸发现种种异状，这一连串恐怖事件很可能和坠毁的卫星碎片及其所携带的神秘外星细菌有关。 蕞尔小镇，麦克斯和布鲁克以及身边所有的人都卷入接下来的血腥屠杀之中……</p>...

海莉·尤德尔生活一团糟，在一次聚会自己被卷入了一场阴谋中当阴谋中涉及到的人都相继被杀之后，警察调查案件一直把目光聚焦在她和另两个人。其中梅拉尼为自己的目的威胁海莉·尤德尔绑架了她女儿。警察根据线索找到了事件的真相，解救了海莉的女儿，也摆脱了她谋杀的嫌疑。</p>...

本片根據真實故事改編，一群好友在一家林間的酒吧買醉慶祝，這三個死黨在酒吧裡無意間引起一場爭執，於是三人迅速乘坐他們的Saab牌房車離去。途中他們撞到了查理（藍迪奎德），他是當地的巡警，他的車似乎出了點毛病。...

The main character, a young surgeon (avid consumer of red apples), excellent professional, inflexible with respect for moral norms, are in a constant struggle with indifference and ignorance of his fellow men, with their littleness of soul, the director of the hospital obtuseness and careerism. Red Apples exactly expresses the conflict between talent, professional dedication, respect the Hippocratic Oath, the protagonist came face to face with mediocrity, sufficiency and careerism of brothers who, at any cost, want to move into professional and social ladder. Rise young doctor Mitica Herod assigned to a provincial hospital, the doctor makes Mitroi prototype capped professional character, to see jeopardized the director of the hospital. Mitica (enthusiastic, charismatic and convincing in the role of actor Mircea Diaconu) makes no promises in relation to his superior, which always reminds him of his mission, the function they represent. Ignore the so-called &quot;social conveniences&quot; and not promising in addressing hospital and patients. Well-meaning and lucid, ready for personal sacrifices, he believes that the world has only one real enemy: death, which, unfortunately, it always fails defeat. &quot;I was preoccupied, primarily, grammatical problems of the profession. It is true, perhaps the film has a kind of enthusiasm that I have not found then. I wanted to be a human story and I think it came out as such. and that is true not consider it a merit, but a prerequisite. I never wanted to do &quot;red Apples&quot; true or less true. I did as I felt. &quot;Alexander Tatos</p>...

圣诞节将至，一间地处偏远的小木屋里，波特（拉菲·斯波 Rafe Spall 饰）和马特（乔恩·哈姆 Jon Hamm 饰）同坐一桌，用红酒和烤土豆庆祝这个银装素裹的节日。波特沉默寡言，无精打采，而马特却恰恰相反，为了逗波特讲话，他向波特讲述了自己的过去。...

Back in the mid 1900's Mexico was proud to have more world boxing champions in the small categories, than any other Country. Boxing was perhaps one of the few opportunities where a typical low income Mexican(75% of the population)could have success in life. Kids started boxing in their ghettos, a few of them made it to the Pro's and an even fewer amount got to be famous and earn good money from it. Those that got to the top soon found out that suddenly they had a great amount of people that surrounded them and helped them spend their money. But immersed in their new life styles they could never leave their origins and find a better future for them. This is what "Campeon sin Corona" tries to convey; a boxer that even when he has succeeded can not live up to his new status and prefers to be the same loser he was in his earlier years. There may not be in the Mexican Movies Industry a picture that better displays the way of thinking and acting of the vast majority of Mexicans of the 20th Century....

A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together. Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.</p>...