职业偷窃高手凯伦在一次行动中被捕入狱。出狱后，贼阿巴即找她合作，计划爆破国家银行，盗取保险库中的巨款。同时，贼阿巴又找来另一偷窃高手J.L.，一切部署完成后，两人旋即以熟练技巧打开保险库，当他们看到花花绿绿的银纸后，立即作出决定…… Karen McCoy (Kim Basinger) is released from prison with nothing but the clothes on her back. Before being incarcerated Karen was the bank robber of her time, but now she wishes for nothing more than to settle down and start a new life. Unfortunately between a dirty parole officer, old business partners, and an idiot ex-husband she will have to do the unthinkable in order to save her son (Zack English) and new heart throb J.T. (Val Kilmer): another job....

The battle that began in another world is now a war waged on Earth....

With the help of her friends, Emily moves to a remote home to take better care of her brother, Zack who is diagnosed with cerebral palsy. But what they don&#39;t know is that the house kept a terrifying secret that will haunt them one by one.</p>...

On a romantic getaway to Iceland, a young American couple wake up one morning to discover every person on earth has disappeared. Their struggle to survive and to reconcile the mysterious event lead them to reconsider everything they know about themselves and the world....

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

Set in Ålesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy....

A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together. Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.</p>...

Based on the haunting true stories told on a famous radio show, the new horror series “Terror Tuesday: Extreme” will bring eight stories to the screen directed by eight directors in eight episodes of extreme terror with an incredible cast that will give you a series of unexpected fear....

Molly, a paranormal con artist who cleans people of their valuables instead of their demons, accidentally rips off a Drug Kinpin. She now has to save her kidnapped partner and herself while battling through the under belly of Los Angeles....

Benjy Stone (Mark Linn-Baker) is the junior writer on a top-rated variety/comedy live television show, in the mid 1950's. Young Benjy has a crush on a coworker, K.C. Downing (Jessica Harper), but rather than asking her for a date, he routinely tries to get her to sleep with him....