A young street magician is left to take care of his little sister after his mother&#39;s passing and turns to drug dealing in the Los Angeles party scene to keep a roof over their heads. When he gets into trouble with his supplier, his sister is kidnapped and he is forced to rely on both his sleight of hand and brilliant mind to save her</p>...

A funny and irresistible story of a young girl who literally cannot see or hear her mother, even though she is living with her under the same roof. With the help of an eccentric psychiatrist, and a local, accidental hero, our heroine has to grow up, but falls in love and eventually takes hold of her future - despite not being able to see what's right in front of her....

Alice is a young woman opposed to the construction of a power-plant, an idea of her own father who is a member of the parliament. But a weird Visitor from the Future takes her to 2555, a future destroyed by the explosion of that same power-plant. According to the Visiteur, the premature death of her father would prevent this future from happening. But they’ll have to be quick b... (展开全部)...

&quot;The One Hundred&quot; tells the story of a young woman who has just returned from a foreign country. She has to stay at a hotel to quarantine, but then suddenly comes across a monster that can change its shape in a variety of ways, according to the individual that this monster possesses. The concept of the story was inspired by the story of Battambang which was told during the reig......

故事发生于匈牙利，70岁的提比（拉尤斯·科瓦奇饰）被判入狱十年后终于出狱，然而这十年的关押教育并没有使他改变分毫。出狱之后，一个日本犯罪团伙找到了他，希望他帮忙偷取一样东西——由匈牙利人发明的世界上第一张软盘。提比找到了曾经的伙伴，一行人开始了行动。如同预料的一样，提比很快得手，然而交易过程却发生了变故，原本应该一手交钱一手交货，却以日本人翻脸收场。提比眨眼间成了被追杀的对象。面对四面八方涌来的杀手，提比将会如何应对？...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

史毕堡是个绝世桥王，好友高达威却是个有勇无谋的CID。威常被妻阿Kit与“大男人协会”主席毛良道有染，刚巧史又是该会成员，唯有向他求助。史一向鄙视女性，但毛良道亦非善类，能对付他的只有女手下朱歪女……...

At the start, a man is almost killed by a woman with a knife. He kills her, but killing someone in this house isn't easy. There's magic at work here that makes people become zombies. We follow a guy who is a weightlifter and bodybuilder who goes on an expedition to this house with some invesigators. They are soon zombified and the muscle builder must use his abilities to try to save a young woman, even as the zombies will reanimate even if cut into pieces. Will he survive?...

其实祗是说十二小时内三个人的关系──Mi-ryung要改变爸爸抗拒夏威夷出生的男友Jung-woo，并且请自己的好友Ha-young来去找Jung-woo拖延时间，藉此去给Jung-woo一番惊喜，结果这三个人在十二小时发生的事却为其他人带来连番惊喜。...

Summertime, 1994. In a quiet mining village just outside Doncaster, a rumour stirs about the legend of a giant carp in the nearby decoy ponds. Trevor takes watch one night at the water&#39;s edge. The following night, he decides to lead a brigade of young friends and neighbours on a fishing expedition. In a world of broken families, cassette tapes and rumbling political fever, these friends, each with their own struggles to bear, share a moment of harmony as they witness the carp for themselves that they will never forget.</p>...