On the outskirts of Austin, 10-year-old Annie tears around on her BMX bike, hurls dough at cars, and smashes things up with her baseball bat. Her father, a goat farmer-cum-demolition derby driver, does little parenting. Annie has no friends her age, so her daily routine is filled with solitary mischief. Playing in the woods one day, she hears a woman's plaintive call for help from an abandoned well. Though Annie feels driven to visit the well daily, she is unsure about how to deal with the woman's plight. Written by Sundance Film Festival...
电影讲述网络漫画作家智友（盛骏 饰）探访废弃公寓光林Mansion时发生的怪异而恐怖的现实向故事。《怪奇宅》由5个怪谈故事组成，以《楼层噪音》《霉菌》《电梯》等现代人都能体验到的日常素材为基础，给人以有密度的恐惧感。这也是盛骏退伍后的首部公开作品。 《怪奇宅》首先院线上映，其后自7月30日开始将通过Olleh TV、Seezn和Skylife平台依次公开。</p>...
Inspired by the original hit Swedish novel and film,the series centers on Mark and his daughter Eleanor, whose lives were changed 10 years earlier when she was turned into a vampire. Starring Demián Bichir, Anika Noni Rose, Grace Gummer, Madison Taylor Baez, Kevin Carroll, Ian Foreman and Jacob Buster. Stream the premiere October 7. Inspired by the original hit Swedish novel and film,the series centers on Mark (Bichir) and his daughter Eleanor (Baez), whose lives were changed 10 years earlier when she was turned into a vampire. Locked in at age 12, perhaps forever, Eleanor lives a closed-in life, able to go out only at night, while her father does his best to provide her with the human blood she needs to stay alive. With these emotionally charged and terrifying ingredients as a starting point,LET THE RIGHT ONE INwill upend genre expectations, turning a naturalistic lens on human frailty, strength and compassion. Led by Oscar nominee Demián Bichir (A Better Life), the series also stars Tony winner Anika Noni Rose (Dreamgirls, Power), Grace Gummer (Mr. Robot), Madison Taylor Baez (Selena: The Series), Kevin Carroll (Snowfall), Ian Foreman (Merry Wish-Mas) and Jacob Buster (Colony). Award-winning playwright, writer and producer Andrew Hinderaker (Away, PENNY DREADFUL), who wrote the pilot, will serve as showrunner and executive produce along with Seith Mann (HOMELAND, FreeRayshawn, Blindspotting), who directed the pilot and will also direct additional episodes....
Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. S... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her....
Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. S... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her....
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....
PBS十多年前曾播过自己拍摄的剧集，但后来只播英国进口剧集，如今又打算播自己拍摄的剧集。作为PBS杀回「原创」领域的首部作品，该剧沿袭了PBS热门进口剧集《唐顿庄园》的历史风格。故事发生在美国内战时期，主人公是两名护士志愿者——来自新英格兰地区并支持废奴主义的Mary Phinney（Mary Elizabeth Winstead）和支持南方联盟国的南方佳丽Emma Green（Hannah James）。Green家族在弗吉尼亚州的亚历山大市经营豪华酒店生意，北方联邦军1862年占领这座城市后，他们的酒店被改造成专门治疗战争伤员的「大厦之屋医院」（Mansion House Hospital）。...