安娜·肯德里克加盟克里斯多夫·莫利斯([四头狮子])执导的未定名喜剧。卡司包括凯万·诺瓦克、丹尼尔·布鲁克斯、丹尼斯·欧哈拉等。新片剧情目前暂未透露，据悉肯德里克在片场以FBI探员造型亮相。See-Saw Films、Archer Gray Productions联合制作。影片已在佛罗里达、多米尼加开机拍摄。...

罗丹（杰拉尔•德帕迪约 Gérard Depardieu 饰）是一个名满世界的雕塑家，众所周知的“思想者”就是他的作品。实际上，除了他自己的艺术天才外，还有一个人在罗丹的艺术和感情生命中有举足轻重的地位，那就是他的情人卡蜜尔（伊莎贝尔•阿佳妮 Isabelle Adjani饰） 。卡蜜尔也是一位极具艺术天份的美少女，与罗丹忘年相恋。但是，大凡和大师的恋情总是充满折磨和坎坷一样，卡蜜尔也一样。他们之间疯狂而充满激情的爱情，会带给卡蜜尔怎样的命运呢？...

At the beginning of the movie a pharmacist receives an anonymous letter that threatens him of death. And the murder actually happens. Seems very simple but nothing is what it seems and the journey to the truth will be long and difficult. The book is excellent and the movie is at par with it and very faithful to the romance. Great direction. Incredible cast with Gabriele Ferzetti in his best interpretation together with the one in &quot;C&#39;era una volta il West&quot; and Gianmaria Volonté simply beyond reach as always. Many other great actors. Yes I am an enthusiast &#39;cause there&#39;s not a word or a shot out of place in this movie and the plot is ingenious. Who is going to see this film for the first time will be taken away by the developments (the pace seems to be calm but looking in between the kinks you may realize that many things are going rapidly on). Trying to figure out what is the kernel of the happenings and the &quot;reasons&quot; for the murder is a very interesting exercise but it&#39;s highly unlikely for the spectator not to experience a big surprise at the end. In my opinion Elio Petri at his best (I mean at the same level of his other masterwork: La classe operaia va in Paradiso).</p>...

这间收容所中都是身患绝症的年轻人，有八名病人每天午夜聚在一起分享故事，并约定无论谁先死，都要给这个团体捎来另一个世界的信息。本片改编自克里斯多佛·派克于 1994 年发布的同名小说以及其他作品。...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

Wealthy Rollo Treadway (Buster Keaton) suddenly decides to propose to his neighbor across the street, Betsy O&#39;Brien (Kathryn McGuire), and sends his servant to book passage for a honeymoon sea cruise to Honolulu. When Betsy rejects his sudden offer however, he decides to go on the trip anyway, boarding without delay that night. Because the pier number is partially covered, he ends up on the wrong ship, the Navigator, which Betsy&#39;s rich father (Frederick Vroom) has just sold to a small country at war. Agents for the other small nation in the conflict decide to set the ship adrift that same night. When Betsy&#39;s father checks up on the ship, he is captured and tied up by the saboteurs. Betsy hears his cry for help and boards the ship to look for him, just before it is cut loose. The Navigator drifts out into the Pacific Ocean. The two unwitting passengers eventually find each other. At first, they have great difficulty looking after themselves, but adapt after a few weeks. At one point, they sight a navy ship and hoist a brightly-colored flag, not realizing it signals that the ship is under quarantine. As a result, the other vessel turns away. Finally, the ship grounds itself near an inhabited tropical island and springs a leak. While Rollo dons a deep sea diving suit and submerges to patch the hole, the black natives canoe out and take Betsy captive. When Rollo emerges from the ocean, the natives are scared off, enabling him to rescue Betsy and take her back to the ship. The natives return and try to board the ship. After a fierce struggle, Rollo and Betsy try to escape in a small dinghy. It starts to sink, and the natives swiftly overtake them in their canoes. Just when all seems lost, a navy submarine surfaces right underneath them and they are saved.</p>...

FX续订《#白粉飞# Snowfall》第二季，预定18年播出。...

影片改编自弗朗西斯·勒洛尔的同名畅销读物。西蒙·佩吉在片中饰演的赫克托是一位心理医生，常年做病人的情绪垃圾桶，有时他也怀疑——快乐、幸福这玩意儿到底是不是真的存在？于是，他决定出门找找幸福，也找找自己的生命意义。...

1. 鬼缠身 -- 导演, 吴耀权 -- 演员, 林美贞 (饰 Samantha), 林志豪 (饰 Mick), 陈展鹏 (饰阿东), 邹凯光 (饰司徒), 孙亚莉 (饰电梯内美女). 东每次加班都遇到女上司 Sam, 而 Sam 每次夜晚从厕所出来, 都变得和白昼判若两人, 意态妩媚, 更情挑东. 东将之告诉好友 Mick,Mick不相信，原来两人Sam是Mick的女朋友，而Sam每次夜晚都变得和白昼判若两人是因为东想让Mick和Sam分开而编造的假象...... 2. 淫贱到死 -- 导演, 鞠觉亮 -- 演员, 林雪 (饰一刀), 岑宝儿 (饰阿梦), 王秀琳 (饰 Dion), 黄家龙 (饰 阿信 ), 张佩金 (饰 Celine), 李璐 (饰 Anna). 咸片配音大王因一次偷窥, 意外死去; 下属亳不知情下, 继续被咸湿鬼波士性骚扰; 同一时间, 公司正受著黑社会的穷打追迫, 下属们与鬼波士及黑社会展开一场翻天覆地的追逐....... 3. 衰口臭 -- 导演, 罗永昌 -- 演员, 田蕊妮 (饰 Amanda), 谢鲁四 (饰 Boss), Khan Ishtiaq (饰 Martin), 何美群 (饰 Cindy), 余咏恩 (饰 Sandy), 余咏雪 (饰 Sammi), Souza Patricia Therese (as Julia), 山度士 (饰葡挞), 侯焕玲 (饰垃圾婆), 岑恩鍌 (饰同事), 陈宏志 (饰同事), 李叶健 (即李业健) (饰同事) 是非精 兰茜 , 凡事爱作大兼口臭, 身边好友每有喜事, 她硬将之说成坏事. 从一个同事生日会开始, 兰茜每说一件坏事都灵验……</p>...