When Luke Williams arrives at his late grandfather's cabin, he discovers a mysterious puzzle leading to a dangerous secret....

十年前，人类为自己的愚蠢付出惨痛代价，凶险致命的猿流感病毒蔓延全球，世界毁灭殆尽。而在毗邻旧金山的原始丛林，凯撒（安迪·瑟金斯 Andy Serkis 饰）带领猩猩伙伴们建立起无忧无虑的王国，直到某一天，猩猩的家园的宁静再度被人类打破。在旧城苟延残喘的人类面临能源危机，他们试图利用森林腹地大坝的发电站提供能源。青年科学家马尔科姆（杰森·克拉科 Jason Clarke 饰）试图说服聚集地负责人德里弗斯（加里·奥德曼 Gary Oldman 饰），希望通过和平手段取得猩猩部落的信任和同意。然而凯撒的好盟友科巴（托比·凯贝尔 Toby Kebbell 饰）却无法摒除对人类的憎恨，他尝试着挑战者凯撒的权威。...

An undercover cop teams up with a martial-arts expert to stop a gang of drug smugglers and car thieves....

AyoungcoupleintropicalAustraliaistrappedintheirhomebythreefugitivescarryingamysteriousiceboxcontainingunknowncontents,andtheymustrelyontheirwitsandcunningtosurviveasaseveretropicalcyclonelooms.</p>...

Emerson Graham&#39;s nights as a cab driver are filled with annoyances and inconveniences, but until tonight, never attacks and disappearances. After picking up a mysterious passenger her evening goes from working a job to performing a quest as they must race against the clock to defeat a force of evil. The meter is running.</p>...

1. 鬼缠身 -- 导演, 吴耀权 -- 演员, 林美贞 (饰 Samantha), 林志豪 (饰 Mick), 陈展鹏 (饰阿东), 邹凯光 (饰司徒), 孙亚莉 (饰电梯内美女). 东每次加班都遇到女上司 Sam, 而 Sam 每次夜晚从厕所出来, 都变得和白昼判若两人, 意态妩媚, 更情挑东. 东将之告诉好友 Mick,Mick不相信，原来两人Sam是Mick的女朋友，而Sam每次夜晚都变得和白昼判若两人是因为东想让Mick和Sam分开而编造的假象...... 2. 淫贱到死 -- 导演, 鞠觉亮 -- 演员, 林雪 (饰一刀), 岑宝儿 (饰阿梦), 王秀琳 (饰 Dion), 黄家龙 (饰 阿信 ), 张佩金 (饰 Celine), 李璐 (饰 Anna). 咸片配音大王因一次偷窥, 意外死去; 下属亳不知情下, 继续被咸湿鬼波士性骚扰; 同一时间, 公司正受著黑社会的穷打追迫, 下属们与鬼波士及黑社会展开一场翻天覆地的追逐....... 3. 衰口臭 -- 导演, 罗永昌 -- 演员, 田蕊妮 (饰 Amanda), 谢鲁四 (饰 Boss), Khan Ishtiaq (饰 Martin), 何美群 (饰 Cindy), 余咏恩 (饰 Sandy), 余咏雪 (饰 Sammi), Souza Patricia Therese (as Julia), 山度士 (饰葡挞), 侯焕玲 (饰垃圾婆), 岑恩鍌 (饰同事), 陈宏志 (饰同事), 李叶健 (即李业健) (饰同事) 是非精 兰茜 , 凡事爱作大兼口臭, 身边好友每有喜事, 她硬将之说成坏事. 从一个同事生日会开始, 兰茜每说一件坏事都灵验……</p>...

Five spoiled high-school students are kidnapped and held for ransom in a remote swamp area....

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

克洛伊（德鲁·巴里摩尔 Drew Barrymore 配音）是比佛利山的一只吉娃娃狗，被宠坏了的它生活极其奢侈。主人薇薇姑妈（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）要出远门，把照顾克洛伊的任务交给了安吉拉（爱莉·希尔斯 Ali Hillis 饰）。安吉拉带着克洛伊和朋友们一起去墨西哥的海滩旅行。来到海滩， 姑娘们立即被健硕英俊的小伙子们吸引了，而克洛伊则在安吉拉的“重色轻狗”下，走失于硕大的墨西哥城中。那些简陋的街道看起来跟比佛利山大相径庭。无奈之下，克洛伊只得求助于一些新朋友，包括一只经历复杂的德国牧羊犬戴戈多（安迪·加西亚 Andy Garcia 饰），和一只多情的小狗帕皮（乔治·洛佩兹 George Lopez 饰），克洛伊在它们的帮助下，振作精神找寻回家的路.........

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