<span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">暑假的第一天，宝妈(</span><a target="_blank" href="https://baike.baidu./item/江美仪" style="color: rgb(19, 110, 194); text-decoration-line: none; font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; white-space: normal; background-color: rgb(255, 255, 255);">江美仪</a><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">饰) 被医生诊断患上严重肾衰竭，需尽快换肾。宝听说可以六万元在内地买肾，但对宝家而言，这已是天文数字。宝向旧邻居芸姐(</span><a target="_blank" href="https://baike.baidu./item/陈敏之/66289" style="color: rgb(19, 110, 194); text-decoration-line: none; font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; white-space: normal; background-color: rgb(255, 255, 255);">陈敏之</a><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">)求助，芸姐介绍她当“高级私钟妹」。 强既无力帮忙，唯有接受和支持…&nbsp;</span><br/><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">　　在管接管送的一星期后，强终按不住心中妒火，向宝发泄他的不满。 那夜之后，宝叫强不用再接送她，她决定独自上班。那边厢，强亦答应跟同学去露营。强返家后，强妈(</span><a target="_blank" href="https://baike.baidu./item/商天娥" style="color: rgb(19, 110, 194); text-decoration-line: none; font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; white-space: normal; background-color: rgb(255, 255, 255);">商天娥</a><span style="color: rgb(51, 51, 51); font-family: arial, 宋体, sans-serif; font-size: 14px; text-indent: 28px; background-color: rgb(255, 255, 255);">饰)告知宝妈突然去世，宝跟妹妹已被亲戚带走</span></p>...

BrandThink Cinema 制作公司与 WeTV 合作打造的一部BL浪漫喜剧。...

戴恩·桑德斯（西蒙·雷克斯 Simon Rex 饰）和乔迪（阿什丽·提斯代尔 Ashley Tisdale 饰）是一对快乐的新婚夫妇，这一天他们意外接到一通电话。此前戴恩的哥哥查理遭遇灵异事件，惨死家中，而他的三个孩子凯西（Gracie Whitton 饰）、莉莉（Ava Kolker 饰）和尚在襁褓中的艾登（Dylan Morris 饰）则宣告失踪。三个形同野人的孩子被人偶然发现于某个林中小屋之中，经过一番争执和讨论，戴恩最终令妻子同意收养三个小外甥。突然增加的人口，令戴恩不得不更加努力赚钱养家。...

公元2020年，云集了无数顶尖科学家的世界空间站（World Space Station）正在进行一项载人飞船火星登陆计划。由卢克·格莱姆（Don Cheadle 饰）率领的4人小组成功抵达这颗无人星球，他们在此发现一些奇怪景象，随后小组成员也接连毙命。为了调查这起悲剧 的原因并寻找可能的生还者，空间站派出伍迪·布雷克（蒂姆·罗宾斯 Tim Robbins 饰）率领的救援小组前往火星。...

Stênio (Daniel de Oliveira) works the night shift at a morgue in a very large, very violent city. On the job, he sees cadavers in every conceivable state, often the victims of horrific gang warfare. While most would be rather unsettled by it all, Stênio is not. For the dead speak to him. Not in any metaphorical sense but in a very literal way.Stênio was born with an occult gift and while not everyone would be at ease conversing with mutilated cadavers on slabs, he has learned that there are endless secrets that can be gleaned this way. Related to crime. To prosperity. &nbsp;One day he learns a terrible secret about people in his own life. He mits the sin of acting on knowledge obtained from the dead, cursing himself and those dearest to him in the process…</p>...

本片讲述了在离开家乡多年后，25岁的丹尼因父亲的意外去世而回到了自己童年的家。开始他受不了这个穷乡僻壤的寂寞和无聊，但慢慢地，他才发现这个养育他长大的地方是一片乐土，他也重新赢得了童年时期青梅竹马的苏苏的心。但为了找到他生活的意义，丹尼还是不得不面对多年前让他离开家乡的真正原因。 回乡的自我救赎是本片亮点，在温情的描绘中道出了男主深埋于心底的秘密。影片节奏轻快紧凑，幽默又温情，特别适合年轻观众以及全家观看。 卖点：集聚德国新生代小鲜肉和美少女的青春片。...

暂无简介...

When a young woman finds herself living life on the streets she learns the art of picking up men to put a roof over her head. But when she meets the guy of her dreams her secret threatens to ruin their perfect relationship....

位于汪洋大海一个海底油田基地，突然刮起了一阵剧烈的台风，之后便出现了工作人员失踪的情况，基地的负责人吉姆似乎察觉了什么暗示，在寻找失踪人员时被一种神秘怪物的爪子划伤后身体爆裂而亡，其后员工们一个一个都被神秘的怪物吃掉了，于是，在孤立无援的基地上，工作人员们团结一致纷纷拿起武器进行了反抗，他们最终能成功逃离这里吗？...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....