影片讲述了参加花样跳水比赛选手玛丽娜的故事。她被突然发作的耳鸣所困扰--一种难以忍受的耳鸣声--这种情况将她从比赛的顶峰拖入了深渊。她不得不用她的潜水技能换取一份在公共水族馆的工作，在那里，她扮演美人鱼，为这个异国情调的景点增添色彩。然而，她实现运动梦想的道路并没有被完全堵塞.........

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刘想想作为北漂一族，她性格有些搞笑逗比，但心地善良，待人真诚，上级交代项目，大 家为了看她笑话，被同事几番刁难，想想有些绝望，对生活失去了希望，她躺在浴缸里，头 一点点向下沉到水里，此时一阵惊雷响起，击到想想的身体，想想一下子失去了意识，穿越 到大楚国。成为将死刺客，并具备四次刺杀王爷穆春申的机会，失败则毒发身亡。 为了完成刺杀任务，她先后变身为王爷府内丫鬟，侍卫及乞丐男孩，每当刺杀将要成功之际， 都会出现让人意料之外的事情，让人措手不及。在与穆春申斗智斗勇的过程中，刘想想逐渐 发现穆春申的善良和责任感，她开始动摇这份刺杀的决心，并慢慢喜欢上穆春申。 与此同时，她才意识到，这一刺杀任务的背后竟然隐藏着一段前尘过往，那是关于穆春申大 哥，前太子穆留的死因。于是在和穆春申暗中商议下，上演了一场请君入瓮的戏码，一切真 相终于浮出水面…...

在日落后的首尔站，许多流浪汉中的一个老男人，看着象是在吞食着另外一个。不一会儿，整条街都充满着疯子，Hae-sun，一个逃跑的少女，和逼她卖淫的男友分手。她离开了那间在首尔站附近他们目击人们被袭击的破旧旅馆。被袭击的人们变成袭击者，以至于他们的人数呈指数级增长。政府宣布把整片区域 封闭。没被袭击的人们想从袭击者群中逃走，但无处可去。...

<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">　　Bart&#39;s cartoon about an angry dad is turned into &quot;Angry Dad: The Movie&quot; and quickly becomes a critics&#39; favorite. When Russell Brand presents the Golden Globe to Bart&#39;s film, Homer usurps the podium and gives his own acceptance speech. The film&#39;s winning streak continues with Homer taking credit at each ceremony, so when &quot;Angry Dad&quot; receives an Oscar nomination, Bart keeps it a secret. With the help of DJ Kwanzaa, Homer and Marge arrive at the ceremony just as Halle Berry presents the award. Bart&#39;s fellow nominee, Nick Park, helps him realize that creating a film is a team effort, and Bart gives credit where credit is due.</span></p>...

一九九九年六月初广州一高尚住发生一宗灭门惨案，两杀凶徒将屋内五女二男杀死，警方精调人手调查，但仍毫无头绪，由于事态严重涉及中、港、澳等地，更有可能与国际犯罪团有关，警方决定将行动升级，并邀请国际刑警特种部队人员正式介入调查，一场斗智斗力的追捕行动即时展开…… 警员莫少聪发现了罪犯的行踪，但他们以爬山单车飞越多幢大厦，又在街上扫射幼稚园学童制造混乱来逃走。当莫少聪茫无头绪之际，惠天赐竟率领一班电脑高手，破解了网上的密码，追查到程东的行踪，一场斗智斗力的追捕行动即时展开......</p>...

永民（金宋 饰）虽然顽皮，但仍算懂事。他每天放学去卖冰激凌赚钱就是为了给患有眼疾的母亲买一副墨镜。最终母亲还是发现了他这个秘密，他忍着委屈的泪水，任由母亲责骂抽打。因为出身贫寒，他常受到同学们的欺负，经历得多让他的心智比同龄的孩子要成熟。 一个从首尔转校到永民班上的女孩，名叫雨莲（李世英 饰）这个清秀的女孩，更主动示好。但雨莲把永民写的情书叫给了老师，被老师责骂一番的永民毕竟是孩子，在桌子上画上三八线表示不再跟雨莲交往。一次，永民勇敢救起了失足落水的雨莲，也知道了雨莲背后的故事。自此，两个背景完全的孩子成为了好友。</p>...

《梦断影都》是一个黑色喜剧，故事讲述了1969年，24岁的学生Ike Vikar Jerome来到好莱坞，梦想进入电影圈，当时主流电影公司已经没落，独立电影正蓬勃新生。Jerome在自己的光头上纹有《郎心如铁》（A Place in the Sun）中蒙哥马利·克利夫特（Montgomery Clift）和伊丽莎白·泰勒（Elizabeth Taylor）图案的刺青，这让他立刻引起了周围人的注意。从做设计师开始，Jerome逐渐成为一名成功的电影剪辑师，但最终，这场繁华的好莱坞之梦还是以悲剧收场。...

BACK FORK is the story of an everyman, WAYLON, struggling to hold his life and family together after a heartbreaking tragedy. He and his wife, NIDA, barely recognize themselves, let alone each other. Their inability to continue on and to heal, leaves them hopeless. With the growing burden of the unanswered questions of why, and a heavy dose of self-blame, It&#39;s only a matter of time before Waylon turns to the magic of the pills to make the problems disappear. He finds a kindred spirit in his sister, RAYLENE, as he sleep walks through life with addiction. It&#39;s only a matter of time until Waylon finds himself at a crossroads. He learns that he&#39;s been asking the wrong question all along. The question isn&#39;t why, rather, where do I go from here? He&#39;s then able to see that we&#39;re all wounded animals. Sometimes we die, but sometimes we live.</p>...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....