永民（金宋 饰）虽然顽皮，但仍算懂事。他每天放学去卖冰激凌赚钱就是为了给患有眼疾的母亲买一副墨镜。最终母亲还是发现了他这个秘密，他忍着委屈的泪水，任由母亲责骂抽打。因为出身贫寒，他常受到同学们的欺负，经历得多让他的心智比同龄的孩子要成熟。 一个从首尔转校到永民班上的女孩，名叫雨莲（李世英 饰）这个清秀的女孩，更主动示好。但雨莲把永民写的情书叫给了老师，被老师责骂一番的永民毕竟是孩子，在桌子上画上三八线表示不再跟雨莲交往。一次，永民勇敢救起了失足落水的雨莲，也知道了雨莲背后的故事。自此，两个背景完全的孩子成为了好友。</p>...

《梦断影都》是一个黑色喜剧，故事讲述了1969年，24岁的学生Ike Vikar Jerome来到好莱坞，梦想进入电影圈，当时主流电影公司已经没落，独立电影正蓬勃新生。Jerome在自己的光头上纹有《郎心如铁》（A Place in the Sun）中蒙哥马利·克利夫特（Montgomery Clift）和伊丽莎白·泰勒（Elizabeth Taylor）图案的刺青，这让他立刻引起了周围人的注意。从做设计师开始，Jerome逐渐成为一名成功的电影剪辑师，但最终，这场繁华的好莱坞之梦还是以悲剧收场。...

BACK FORK is the story of an everyman, WAYLON, struggling to hold his life and family together after a heartbreaking tragedy. He and his wife, NIDA, barely recognize themselves, let alone each other. Their inability to continue on and to heal, leaves them hopeless. With the growing burden of the unanswered questions of why, and a heavy dose of self-blame, It&#39;s only a matter of time before Waylon turns to the magic of the pills to make the problems disappear. He finds a kindred spirit in his sister, RAYLENE, as he sleep walks through life with addiction. It&#39;s only a matter of time until Waylon finds himself at a crossroads. He learns that he&#39;s been asking the wrong question all along. The question isn&#39;t why, rather, where do I go from here? He&#39;s then able to see that we&#39;re all wounded animals. Sometimes we die, but sometimes we live.</p>...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....

A man afflicted with clairvoyance tries to change his fate when a series of events leads to a vision of his own imminent murder.</p>...

艾尔和李是实打实的发小，感情要好得不得了，不过艾尔喜欢上了李的哥哥，天下可能要大乱。影片是童星乔伊·金的转型之作，卡司还包括雅各布·艾洛蒂、乔尔·科特尼，莫利·林沃德也在本片客串。...

马修是一个初到柏林的年轻的加拿大人。他是来重新开始的，但他感受到了生活在一个陌生的新城市里的孤立。当他遇到马蒂亚斯的时候，他很着迷于后者的美丽和魅力，马蒂亚斯是马修想要成为的一切。马修开始改变自己，剪他的头发，穿他的衣服，模仿他的欲望。当马蒂亚斯遭遇摩托车事故时，一个完美的取代机会来了.........

Inseparable best friends struggle to make the best of their last few days together, savoring the city nightlife with an enigmatic artis t one of them takes a liking for....

在一个阳光明媚的日子里，我们的唐老鸭先生衣着考究，打扮入时，他骑着老式的自行车，手里捧着鲜花游弋在城市的小路上。他此时要去回见心仪的女孩黛西，因此心情格外舒畅，一路上他和拉冰的高菲还有正约会出行的米奇、米妮打招呼，一切都显得那么美好。当他穿过公园的时候，树上的花栗鼠注意到了他。作为经常与之发生战争的小花栗鼠，他们当然觉得唐老鸭一本正经的样子太可笑了，于是跟了上去对唐老鸭进行各种各样的嘲讽和戏弄。唐老鸭毫不怠慢，好好惩罚了这两个小捣蛋鬼。虽然遭到挫败，不过花栗鼠们并不善罢甘休，他们又想出新的点子对付这个老对手……...

In an underground facility, five scientists wake from cryosleep with no memory of who they are or how long they've been asleep. They soon make a shocking realization: a killer is hunting them down there, and may even be hiding among them....